Ultimatte
What is Ultimatte? The Ultimatte
is the predominant chromakeyer in the industry for good reason.
The unparalleled chromakeying capabilities of the Ultimatte make
traditionally hard to chromakey objects like hair, fur, smoke, glass,
and semitransparent cloth easy to chromakey. Spill
suppression is another reason for Ultimatte's success, it can
remove the colored light that bounces of the Chromakey Backdrops
and onto the talents shoulders and hair. Ultimatte has both live
and post production chroma keyers; The Ultimatte 9, the Ultimatte
10, and the Ultimatte 400 for live, and AdvantEdge for post production.
Chromakey
Sometimes Chromakeying is referred to as an art, because getting
a seamless composite is less like a science and more like cooking;
you need the right tools, the right ingredients, some imagination,
and a lot of elbow grease. Ultimatte helps make your chromakey composites
more realistic and many times easier than other chromakeyers. Traditionally
the best way to chroma key is to light the background and the subject
separately, this means that the backdrop gets a relatively even
coverage of lighting, usually fluorescent, because most chromakeyers
are susceptible to lighting variations and will give an uneven key.
The talent is then lit to try and simulate the lighting environment
of the virtual set. This can be difficult if the set is dim because
of the immense amount of light usually required to get an even key
on the background and further exacerbated by the fact that the more
light you put on the background, the more spill you get onto the
talent's head and shoulders. An Ultimatte
will fix up the spill, but not all keyers have this feature so special
care must be taken when doing traditional chroma key lighting for
virtual sets.
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